Barrett Goetz
Spider-Man: Brand New Day Review: A Much-Needed Return to Form for Marvel
During the Infinity Saga I considered myself an MCU fan. During the…
The Odyssey Review: Astonishing Cinema That We Desperately Need Right Now
It's 2026 and we are in hell. The world is on fire…
Toy Story 5 Review: Funny and Sweet as Always, With an Earnest Warning About Kids and Screens
When Toy Story 5 was a announced a couple years ago during…
Disclosure Day Review: Spielberg’s Latest Alien Encounter is a Well-Made Thrill Ride, With Some Drawbacks
The legendary Steven Spielberg has a storied history of fascination with alien…
Masters of the Universe Review: Campy Sci-Fi Throwback That is, Despite its Flaws, Damn Good Fun
Disclaimer right off the jump: I grew up with He-Man and remember…
Backrooms Review: 20 Year-Old Kane Parson’s Theatrical Debut is a Creepy, Mesmerizing Acid Trip of Existential Dread
I had never heard of Kane Parsons nor his YouTube series from…
Hokum Review: Adam Scott and Creepy Atmosphere Are Diluted by a Middling Story
After making a big splash in the flourishing original horror space with…
Mother Mary Review: Pop Music Horror Mishmash That Looks Good, But Falls Flat in Its Storytelling
The proposition of an A24 + Anne Hathaway collab is an immediately…
Project Hail Mary Review: Strong Sci-Fi Craft and Ambition Diluted by a Weak Script Too Dependent on Forced Humor
Interstellar is my all-time favorite movie, so I was highly anticipating Project…
Pluribus Season 1 Review: Vince Gilligan’s Mesmerizing Slow Burn Epic Declines to Reward Patience
The discourse surrounding Apple TV's Pluribus, Vince Gilligan's (Breaking Bad, Better Call…
Marty Supreme Review: Unhinged Timothée Chalamet Gives a Career-Best Performance in this Insanely Entertaining Ride
Despite his best efforts to undermine his standing with Academy voters during…
Jay Kelly Review: Charming and Entertaining Hollywood Tale Held Back by Over-engineered Melodrama
Noah Baumbach is back on the scene with another trademark contribution to…
