Resident Evil Review: Zach Cregger Breathes New Life Into Video Games and Zombies With Blood-Soaked Fun
Weapons was in my top 10 films of 2025 and I thought Amy Madigan’s…
Leviticus Review: Chiarella’s Bold, Imperfect Film Makes Queer Shame Terrifying
Adrian Chiarella's Leviticus arrives with the kind of Sundance pedigree and critical…
Backrooms Review: 20 Year-Old Kane Parson’s Theatrical Debut is a Creepy, Mesmerizing Acid Trip of Existential Dread
I had never heard of Kane Parsons nor his YouTube series from…
Hokum Review: Adam Scott and Creepy Atmosphere Are Diluted by a Middling Story
After making a big splash in the flourishing original horror space with…
Mother Mary Review: Pop Music Horror Mishmash That Looks Good, But Falls Flat in Its Storytelling
The proposition of an A24 + Anne Hathaway collab is an immediately…
Ready or Not 2: Here I Come Review: A Game Still Worth Playing
Ready or Not 2: Here I Come is exactly the sequel I…
Scream 7 Review: Neve Campbell Not Enough to Sharpen a Dull Knife
It’s somewhat remarkable that a franchise once defined by its razor-sharp self-awareness…
28 Years Later: The Bone Temple Review: Nia DaCosta’s Reflective Filmmaking Style Punctuates a Confounding Screenplay
It’s hard to believe that just over six months ago, Danny Boyle…
Stranger Things Season 5 Review: An Explosive Finale Can’t Save Cringey Dialogue
The series finale of Stranger Things came to an explosive conclusion on…
Keeper Review: Atmosphere is Simply Not Enough
Osgood Perkins’ Keeper is a film that proves atmosphere can only do…
Frankenstein Review: Guillermo del Toro and Mary Shelley’s Classic Tale Prove They Are a Near-Perfect Partnership
This new iteration of Frankenstein is the right adaptation in the right…
HIM Review: Jordan Peele Produced Sports Horror Film is All Style, No Substance
Despite clever marketing and an intriguing premise, HIM is an absolute fumble.…
