Spider-Man: Brand New Day Review: A Much-Needed Return to Form for Marvel
During the Infinity Saga I considered myself an MCU fan. During the…
The Odyssey Review: Astonishing Cinema That We Desperately Need Right Now
It's 2026 and we are in hell. The world is on fire…
Toy Story 5 Review: Funny and Sweet as Always, With an Earnest Warning About Kids and Screens
When Toy Story 5 was a announced a couple years ago during…
Leviticus Review: Chiarella’s Bold, Imperfect Film Makes Queer Shame Terrifying
Adrian Chiarella's Leviticus arrives with the kind of Sundance pedigree and critical…
Disclosure Day Review: Spielberg’s Latest Alien Encounter is a Well-Made Thrill Ride, With Some Drawbacks
The legendary Steven Spielberg has a storied history of fascination with alien…
Masters of the Universe Review: Campy Sci-Fi Throwback That is, Despite its Flaws, Damn Good Fun
Disclaimer right off the jump: I grew up with He-Man and remember…
Backrooms Review: 20 Year-Old Kane Parson’s Theatrical Debut is a Creepy, Mesmerizing Acid Trip of Existential Dread
I had never heard of Kane Parsons nor his YouTube series from…
Hokum Review: Adam Scott and Creepy Atmosphere Are Diluted by a Middling Story
After making a big splash in the flourishing original horror space with…
Mother Mary Review: Pop Music Horror Mishmash That Looks Good, But Falls Flat in Its Storytelling
The proposition of an A24 + Anne Hathaway collab is an immediately…
Ready or Not 2: Here I Come Review: A Game Still Worth Playing
Ready or Not 2: Here I Come is exactly the sequel I…
Project Hail Mary Review: Strong Sci-Fi Craft and Ambition Diluted by a Weak Script Too Dependent on Forced Humor
Interstellar is my all-time favorite movie, so I was highly anticipating Project…
Scream 7 Review: Neve Campbell Not Enough to Sharpen a Dull Knife
It’s somewhat remarkable that a franchise once defined by its razor-sharp self-awareness…
